Blue Would Still Be Blue

turnabout-art:

Reblogging because I guess this could be really useful if you want to draw LAWYERS y’know

(Source: losthitsu)

Game of Thrones Gizoogled

A Game of Chairs pretty much how this whole scene played out in my head

(Source: saucybex)

(via thealicechan)

tildrum:

pachurz:

Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom.

This is a really great rundown of techniques for drawing the human figure.

(via thealicechan)

daftpunknews:

DAFT PUNK VIDEO @ COACHELLA (BETTER QUALITY)JESUS CHRIST DAFT LOOKS SEXY IN THOSE OUTFITS

ARTISTS CONFIRMED TO BE ON THE ALBUM:

• PANDA BEAR
• JULIAN CASABLANCAS
• TODD EDWARDS
• DJ FALCON
• CHILLY GONZALES
• GIORGIO MORODER
• NILE RODGERS
• PAUL WILLIAMS
• PHARRELL WILLIAMS

(x)

Yesssssssssss

(via fyeahdaftpunk)

The 11 suitcases seen in the movie are created by Marc Jacobs for Louis Vuitton and they are decorated with giraffes, rhinoceros and antelopes designed by Eric Chase Anderson, the director’s brother. They all have the initials JLW.

(Source: danielplainviewed, via ludzies)

eschergirls:

missturdle:

On the importance of Magical Girl Heroines & Weaponized Femininity: 

Let me start by saying that officially speaking, Sailor Moon is older than I am. I started watching while living in Singapore while I was four, so I definitely came in around the end of Sailor Moon R and watched Sailor Moon S despite the fact that it was played in Japanese with Chinese subtitles. When I moved back to the States, Sailor Moon started being released and aired in sub and dub form and being young and happy to actually hear a language I understood with a show I already liked, I watched the dubs. They’re not the shining star of any animated dub, but I went back several times as I got older, and rewatched the series, in dubs, in subs, all 200 episodes. I changed my self-identified scout, I understood what got cut out of the show, what was censored, I went back and relived my crush on Tuxedo Mask again…and again. In terms of “formative  media” Sailor Moon is probably near the top of the list. I still have the sticker book I had when I was 5/6 that has a page dedicated to these magical girls, and they’ve been with me a lot longer than almost anything else, including Harry Potter, Avatar: the Last Airbender, and most other narratives, superhero, fantasy, or otherwise. 

When I got the chance last year, I showed one of my girl cousins (who was twelve) the first episode of Sailor Moon. She came back to me about a week or so later and was maybe thirty episodes into the series, bursting with excitement over everything and every one. 

I stopped to think about how much that meant to me. Then I thought a little harder. One of my best friends gave me an opportunity to cosplay as Sailor Scouts, and I leapt at the chance. I accidentally stumbled across the newer series Puella Magi Madoka Magica, and marathoned all twelve episodes. Then I made my best friend watch it.

Why does Mahou Shoujo stick with us? The show I loved when I was six is something I love when I’m twenty, and something my cousin who is a tween also loves. For that matter, Puella Magi is, essentially, an update of the classic Magical Girl story, with some genre subversions thrown in. What makes magical girls so important? 

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This is a really good analysis of the importance and appeal of Magical Girl stories to girls.  And it’s related to some of the themes in this blog, so I wanted to share. :)

(Source: turdlewexler)